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DASHA PETROV

Drawing, painting, printmaking or carving – any way of making an image - is my way of understanding the Universe around and inside me. By education I am an artist, but Art for me is the means to an end. When I make an image I merge with my object, be it observed from external life or something perceived internally. By drawing it I become one with it and I understand its internal movements. Sometimes my image undergoes hundreds of variations before this internal movement is captured correctly. Understanding the way things move is similar to knowing their secret names – their energy signature in space-time. I found that the ability to discern these “signatures” consciously is very beneficial for one’s life. If you can know and isolate the signature, you can call it into your life when you need it. Or, if it is not required anymore, separate this signature and remove it. A visually recorded signature of a particular space (like a space of one’s personal power, for example), can take one back into that space when one needs it the most. Following a tradition of shamanic journeying in my work, I connect to a space the way a dreamer would. I enter it, recording my experiences as I go. I bring the feeling of the space with me, and it stays with the image as a sort of a doorway back into the intimate experience of the space itself.

Connecting to a being that represents a certain movement, I can solidify that experience on the page. A painting, encoded with the warmth and ecstasy of a dance, for example, will bring that warmth into a person’s life and make that person remember and re-experience his/her own passion.

I work in many different physical mediums, depending on the character/signature of an image that is coming through me. If it is something quick in its nature, mercurial and full of movement, or something that requires a powerful light, it can become a monotype, which is the most fluid and immediate. An oil painting will be suitable to a much slower, more body-oriented “signature” - oil paint brings a viscous, blood-like quality to the work. A woodcut for me feels like much more of a frozen pattern – a relationship of ultimate Light and Dark. Sometimes the image needs to be carved in three dimensions in order to inhabit the physical space. Carving is an extremely physical act, in which I move matter aggressively. Carving is the slowest method and takes a lot of planning, patience and trust. It is excellent for the anchoring of the energy patterns. And this carved matter permanently holds the signature of slow deliberation and trust. I find that matter will always support us, so having a carving in one’s space is very reassuring and stabilizing.

Sometimes you want to have something specially done for you. I gladly accept commissioned work. If you want to charge your space and you have specific size or thematic ideas, or illustrate your new book or other printed projects, please contact me at dasha@triplevision.net.

I offer my works to you – follow the signatures wherever they may lead you. My art work is only a starting point for you. Ultimately, unraveling it, you will find your own destination.

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